Wildness Photos by Gary O'Boyle
follow me on
  • Home
  • About Me
    • What's New
  • Photo/Video Galleries
    • Flushing's Riverview Park >
      • Spring - April thru June
      • Summer - July thru September
      • Autumn - October thru December
      • Winter - December to March
      • Flora
      • Animals
      • Birds
      • Reptiles and Amphibians
      • Black and White - TuTone Images
      • Lensball Images
      • Bugs and Insects
      • Oil Painting Filter
      • Other Things
    • Mammals >
      • Bears
      • Sheep and Goats
      • Rodents
      • Marsupials
      • Deer
      • Mink, Martins and Weasels
      • Foxes
      • Raccoons
      • Seals and Sea Lions
    • Birds >
      • Owls, Hawks and Eagles
      • Cranes
      • Waders
      • Warblers
      • Swallows and Larks
      • Woodpeckers
      • Gulls and Terns
      • Loons
      • Pigeons and Doves
      • Geese, Ducks and Swans
      • Pelicans and Cormorants
      • Flycatcher
      • Swifts and Kingfishers
      • Chickadees, Titmice and Nuthatches
      • Blackbirds and Orioles
      • Hummingbirds
      • Chicken Like
      • Towhees, Sparrows and Juncos
      • Thrushes and Thrashers
      • Jays and Crows
      • Wrens, Kinglets and Gnatcatchers
      • Waxwings
      • Shorebirds
      • Rail Like
      • Grosbeaks, Cardinals and Buntings
      • Finches and Relatives
      • Mixed Company
      • Feathers
    • Cold Blooded >
      • Turtles
      • Frogs, Toads, Snails and Salamanders
      • Snakes
      • Alligators
    • Bugs and Insects >
      • Butterflies, Moths and Caterpillars
      • Dragonflies and Damselflies
      • Bees, Wasps and Hornets
      • Beetles
      • Spiders
      • Centipedes & Millipedes
      • Grasshoppers and Crickets
      • Assorted Flies
    • Baby Animals
    • Flora >
      • Flowers and Plants
      • Trees
      • Mushrooms and Fungi
      • Seed Heads
      • Berries and Fruits
    • Panoramic >
      • Man Made Panoramic
      • Nature Made Panoramic
    • Shots of the Trail
    • On the Road Again
    • Landscapes >
      • Michigan Landscapes
      • Alaska Landscapes
      • Florida Landscpes
      • Canada Landscapes
    • Lakes, Rivers and Waterfalls >
      • Michigan Lakes
      • Michigan Rivers
      • Michigan Waterfalls
      • Alaska Waterfalls
      • Bodies of Water
    • Fireworks
    • Black and White >
      • Man Made Black and White
      • Natural Black and White
    • OIl Painting Filter Images
    • Other Things >
      • Lensball
      • Model Railroads
      • Car Show Vehicles
      • Random Things
      • Bridges
      • Places
      • Ice and Droplets
      • Transportation
      • Road Signs
      • Sculptures
    • Skies
    • Photo Compilation
    • Altered Images >
      • Man Made Altered Images
      • Natural Altered Images
    • Pictures with Quotes
    • Jeff's Video Gallery >
      • Landscape Page One
      • Landscapes Page Two
      • Animals Page One
      • Animals Page Two
    • Gary's Videos >
      • Alaska 2008 1-10
      • Alaska 2008 11-20
      • Various Videos
      • GoPro Videos
      • Insta360 One R Twin Edition Camera
    • Mandy's Video
  • Wildness Store
  • Flushing Area Senior Center
    • Gary Nickel Photography Group >
      • Types of Cameras
      • Compact Cameras
      • DSLR Cameras
      • Tips for Better Picture
      • Accessories and Gear
      • Edit Software
      • Visual Reference Guides
      • Fall Photography Tips
      • Photographing Christmas Lights
      • From Bokeh to Focus Stacking
      • Editing Workflow
      • YouTube Tutorials
      • Macro Photography
      • Outdoor Car Show Photography Tips
      • A more in-depth look at Focus Stacking
      • Time-Lapse Photography
      • Landscape Photography
      • Black and White Photography
      • Barns and Old Buildings
      • Summertime Photography
      • Weather Photography
      • Urban Photography Tips
      • Snow Photography Tips
      • Storytellers
      • Camera Settings Cheat Sheets
      • What a Camera Sees vs The Human Eye
      • Camera Filters
      • Nightscape Photography
      • Shooting Panoramas
      • Photographing Rocks, Gems and Minerals
      • Using Photoshop to Edit your Photographs Part One
      • Using Photoshop to Edit your Photographs Part Two
      • Using Photoshop to Edit your Photographs Part Three
      • Using Photoshop to Edit your Photographs Part Four
      • Composition In Photography
      • Creative Photography
      • Photography Tip Sheets
      • Photography Editing Tip Sheets
      • Camera Modes and the Exposure Triangle
      • Ethical Photography
      • Capturing Motion in Photography
      • Manual vs Automatic Camera Settings
      • What does the Exposure Triangle Do
      • Cell Phone Photography
      • Types of Lighting used in Photography Part One
      • Types of Lighting used in Photography Part Two
      • Using Filters to help control Light in Photography
    • Gary Nickel Photography Group Forum Page
    • Flushing Area Senior Center Events >
      • FACS Event Pictures
      • FASC Event Videos
  • Garmin Map
  • Threatened and Endangered Species
  • Contact Me
  • Other Links
  • Password Page

Types of Lighting used in Photography

Part Two

​Understanding Light by Quality in Photography
​

Light quality describes how hard or soft the light appears. It affects the appearance of shadows, contrast, texture, and the overall mood of a photograph. Understanding light quality helps you decide whether to emphasize drama and detail or create a softer, more flattering look.
​

What Determines Light Quality?
​

Light quality is primarily influenced by the apparent size of the light source relative to the subject.
  • Small light source (or one that appears small because it's far away) → Hard light
  • Large light source (or one that appears large because it's close) → Soft light
For example, the sun on a clear day appears relatively small in the sky and produces hard light. On an overcast day, clouds scatter the sunlight, effectively turning the entire sky into a much larger light source that produces soft light.

Hard Light


Hard light creates:
  • Sharp, well-defined shadows
  • Strong contrast
  • Bright highlights
  • Bold textures
  • Dramatic mood

Common Sources
  • Direct midday sun
  • Bare flash
  • Small LED lights
  • Spotlight
  • Undiffused studio strobes

Characteristics
  • Distinct shadow edges
  • High contrast between light and dark areas
  • Enhanced textures
  • More dramatic appearance

Best Subjects
  • Architecture
  • Street photography
  • Sports
  • Wildlife in bright sunlight
  • Rock and mineral photography
  • Black-and-white photography

Advantages
  • Reveals fine details and textures
  • Adds drama and visual impact
  • Produces vibrant, punchy images
  • Works well for graphic compositions

Challenges
  • Can create harsh facial shadows
  • Higher risk of blown highlights
  • Greater contrast may exceed your camera's dynamic range
  • Less forgiving for portraits 
Picture

Soft Light

Soft light creates:
  • Gentle shadows
  • Smooth tonal transitions
  • Lower contrast
  • Even illumination
  • Flattering skin tones

Common Sources
  • Overcast skies
  • Window light with sheer curtains
  • Softboxes
  • Umbrellas
  • Large diffused LED panels
  • Open shade

Characteristics
  • Soft shadow edges
  • Reduced contrast
  • Balanced highlights and shadows
  • Smooth textures

Best Subjects
  • Portraits
  • Newborn photography
  • Macro photography
  • Flowers
  • Food photography
  • Product photography

Advantages
  • Very forgiving
  • Preserves detail in highlights and shadows
  • Produces natural-looking skin tones
  • Simplifies exposure

​Challenges
  • Can reduce the appearance of texture
  • May produce a flatter look if used without attention to light direction
  • Often requires careful composition to maintain visual depth


Picture
Comparing Hard and Soft Light
​

​Feature

​Shadows

Contrast

Texture

Mood

Portraits

​Landscapes
Hard Light

Sharp

High

Strongly emphasized

Dramatic, bold

More challenging

​Dramatic in bright sun
Soft Light

Soft

Low

Gently rendered

Calm, natural

Very flattering

Peaceful in cloudy conditions

Light Size Matters

The larger the light source appears from the subject's perspective, the softer the light becomes.

Examples:
  • A small flash positioned close to a subject appears larger and produces softer light than the same flash placed several meters away.
  • A large softbox close to a portrait subject creates very soft, wrapping light.
  • An overcast sky acts like a giant diffuser, making the entire sky a broad light source.

Diffused vs. Direct Light

Direct Light
  • Travels straight from the source to the subject.
  • Creates hard shadows and strong contrast.

Examples:
  • Bright sunshine
  • Bare flash
  • Spotlight

Diffused Light
  • Scattered before reaching the subject.
  • Produces soft shadows and even illumination.

Examples:
  • Cloud cover
  • Softboxes
  • White curtains
  • Diffusion panels


Matching Light Quality to Your Subject


​Portrait Photography

Soft light is usually preferred because it:
  • Smooths skin
  • Reduces wrinkles
  • Minimizes harsh shadows
  • Creates attractive catchlights in the eyes

Hard light can be used creatively to emphasize character, facial structure, or dramatic storytelling.



​Landscape Photography
Both types have their place.

Hard Light
  • Highlights rugged mountains
  • Accentuates rock textures
  • Creates bold shadows

​Soft Light
  • Enhances forests and waterfalls
  • Produces balanced exposures
  • Reveals subtle colors and details

Macro Photography

Soft light is generally ideal because it:
  • Reveals fine details without harsh reflections
  • Controls glare on petals, insects, and minerals
  • Produces smoother backgrounds

Wildlife Photography
​
  • Early morning and late afternoon often provide soft, warm light that is flattering for animals.
  • Bright midday light can work well for birds with iridescent feathers or high-contrast scenes but may require careful exposure.

Controlling Light Quality

You can change the quality of light by modifying the light source:
  • Soften light with a softbox, umbrella, diffuser, or by moving the light closer to the subject.
  • Harden light by removing diffusers, using a smaller light source, or increasing the distance between the light and the subject.

Practical Exercise

Photograph the same object in three different conditions:
  1. In direct midday sunlight.
  2. On a cloudy day or in open shade.
  3. Near a large window with indirect light.

Compare:
  • Shadow sharpness
  • Contrast
  • Texture
  • Color
  • Overall mood

This side-by-side comparison is one of the best ways to train your eye to recognize how light quality changes a photograph.


Key Takeaway

Light quality is about how the light behaves, not just how bright it is. Hard light emphasizes texture, contrast, and drama, while soft light creates smoother transitions and a more gentle, flattering look. By learning to recognize and control light quality, you can choose the lighting that best supports your creative vision rather than simply accepting the conditions you find.

Understanding Light by Direction in Photography


The direction of light refers to the angle from which light strikes your subject. More than almost any other lighting characteristic, direction shapes a subject's form, controls shadows, reveals texture, and influences the mood of a photograph.
​

A simple change in the position of the light—or your position relative to it—can completely transform an image.

Why Light Direction Matters

Light direction affects:
  • The visibility of texture
  • The depth and dimension of a subject
  • The appearance of shadows
  • Contrast
  • Mood and emotion
  • Separation between the subject and background

Understanding light direction allows you to intentionally guide the viewer's attention and create the look you want.

Front Lighting
The light shines from behind the camera toward the subject.

Characteristics
  • Even illumination
  • Minimal shadows
  • Bright colors
  • Low contrast
  • Plenty of visible detail

Advantages
  • Easy to expose correctly
  • Accurate colors
  • Good for beginners
  • Reduces distracting shadows

Best For
  • Wildlife photography
  • Documentary photography
  • Product photography
  • Flower photography
  • Travel photography

Challenges
  • Can appear flat because there are few shadows to reveal depth.
  • Texture is less pronounced.


Side Lighting

Light strikes the subject from the left or right.

Characteristics
  • Strong sense of depth
  • Defined shadows
  • Enhanced texture
  • Increased three-dimensional appearance

Advantages
  • Adds visual interest
  • Reveals surface details
  • Creates dramatic portraits
  • Excellent for landscapes and architecture

Best For
  • Portraits
  • Landscapes
  • Rocks and minerals
  • Tree bark
  • Buildings
  • Still life

Challenges
  • Bright and dark areas can require careful exposure.
  • Strong side light may create deep shadows that need a reflector or fill light if more detail is desired


Backlighting

The light comes from behind the subject toward the camera.

Characteristics
  • Bright background
  • Rim lighting
  • Silhouettes
  • Glowing edges
  • Dramatic atmosphere

Advantages
  • Creates separation from the background
  • Produces beautiful silhouettes
  • Makes translucent subjects glow
  • Adds depth and mood

Best For
  • Portraits
  • Flowers
  • Leaves
  • Wildlife
  • Sunsets
  • Nature photography

​Challenges
  • The camera may underexpose the subject because of the bright background.
  • Lens flare can occur, sometimes adding atmosphere and other times reducing contrast.


Top Lighting

The light comes from directly above the subject.

Natural Sources
  • Midday sun

Artificial Sources
  • Ceiling lights
  • Overhead studio lights

Characteristics
  • Shadows beneath the eyes, nose, and chin
  • Strong highlights on the top surfaces
  • High contrast outdoors

Best For
  • Food photography
  • Flat lays
  • Some fashion photography
  • Architectural details

Challenges
  • Often unflattering for portraits because it can create dark eye sockets and emphasize facial features. 


Bottom Lighting (Under Lighting)

Light shines upward from below the subject.

Characteristics
  • Unusual shadows
  • Dramatic appearance
  • Surreal effect

Best For
  • Creative photography
  • Theater
  • Halloween themes
  • Artistic portraits

​Challenges
  • Rarely looks natural because we seldom see light coming from below in everyday life.
Angled Lighting
Light is often placed at approximately 45 degrees to the subject in portrait photography.

Why 45 Degrees?
  • Creates natural-looking shadows
  • Adds depth
  • Produces attractive catchlights in the eyes
  • Balances detail with dimensionality

This is one of the most common lighting angles for portraits because it offers a pleasing mix of realism and shape.
​Portrait Lighting Patterns
The direction of light also creates recognizable portrait lighting styles.

Butterfly Lighting
  • Light placed directly in front and slightly above the subject.
  • Creates a small shadow beneath the nose.
  • Often used in beauty and fashion photography.

Rembrandt Lighting
  • Light about 45° to one side and above the subject.
  • Forms a small triangle of light on the shadowed cheek.
  • Creates a classic, dramatic look.

Split Lighting
  • Light positioned directly to one side.
  • One half of the face is illuminated while the other is in shadow.
  • Produces a bold, dramatic effect.

Loop Lighting
  • Light slightly off-center and above the subject.
  • Creates a small shadow beside the nose.
  • A versatile pattern for many faces.


Choosing the Right Light Direction

​Direction
Best For
Mood
Front 

Side

​Back

Top

​Bottom
Wildlife, products, flowers

Portraits, landscapes, architecture

​Silhouettes, sunsets, nature

Food, flat lays

Artistic portraits
Clean, natural

Dimensional, dramatic

Creative, atmospheric

Graphic, directional

Dramatic, mysterious
Practical Exercise

Choose a single subject, such as a flower, a rock, or a friend, and photograph it from the same camera position while changing only the light direction:
  1. Front light
  2. Side light
  3. Backlight
  4. Top light (if possible)

Compare the images and note:
  • How the shadows change
  • Which textures become more or less visible
  • How the subject's shape appears
  • How the overall mood shifts

This exercise helps train your eye to recognize how direction alone can dramatically alter a photograph.


​Key Takeaway


The direction of light is one of the photographer's most powerful creative tools. Front lighting emphasizes clarity, side lighting reveals texture and depth, backlighting adds atmosphere and separation, top lighting creates strong overhead shadows, and bottom lighting produces unusual, dramatic effects. By observing where the light is coming from and adjusting your position or your light source, you can control how your subject is perceived and create images with greater impact.
Prints are also available. Both matted and unmatted.

Please contact me here 
for more
information on the sizes available and their prices.


- Thank you